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The Phoenix
Pottery, Kaolin, and Fire Brick Company was
started in 1867 by the same men who owned the Phoenix Iron Works. They
were looking for a nearby source of fire bricks for the plant's furnaces.
Deposits of kaolin had been discovered at Third and Main Streets, along
the road to Valley Forge
and from a pit along the Pickering Creek. This clay was of a superior
quality, almost pure, making possible fine
refractory bricks and pottery in the kilns at Starr and Church
Streets.
David Smith, a
potter from England, later joined the firm adding his talents to that of
John Griffen (of the Iron Works and
Griffen Gun fame) and David and Samuel
Reeves. Later Griffen, seeking a business
for his son, Harry, bought shares in the business. William Hill was a
boss potter, who may have owned shares. By 1882, the firm was known as
Griffen, Smith and Hill (GS & H), and it began
manufacturing Etruscan majolica. In ancient times the Etruscans, or
residents of the region around Rome, Italy,
had excelled
in making this form of pottery--all made by hand. GS & H added the
word "Etruscan" to their logo.
The firm had steam
engines for pressing and grinding and devices to mold the table ware.
The high gloss and brilliant colors came from glazes made from oxides to
which tin and lead were added.
Greens came from copper oxide, black
from manganese, and blue from cobalt. The oxides were ground, added to
liquid clay or slip and sand to make the glazes. Tin added to the lead
in the glazes gave Phoenixville majolica its special brilliance. The
glazes required the talents of carefully-trained artists, because the
process allowed no retouching. Many local women went to work at the
company and painted on the lovely blend of pearl-like colors that
distinguish GS & H majolica.

In 1890,
there was a bad fire at the plant. Four months later it reopened as the
Griffen Pottery Company and in 1894 became the Phoenix Pottery. William Hill left the firm in the early 1880's and Mr. Smith sold out in 1889 due to poor health. In 1894, at the World's Industrial and Cotton Centennial Exposition in New Orleans, two vases and a jug submitted by GS & H won the Gold Metal. Changing tastes and a market glut (majolica was given
away for large purchases in A & P stores) lowered the demand for
majolica. Nine different owners subsequently could not make a profit, and
so the firm closed for good in 1903.
Interest in
majolica has revived in recent years. It is displayed in the
Philadelphia Museum of Art, Chester County Historical Society, and in
some other museums as well. There are many fine
private collections of majolica. Our museum has a small representative collection on display in our Miriam Clegg Room.
Copies of a 1960 catalogue showing most of the
Griffen, Smith & Hill pieces is available for sale at the
Society.
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